Monday, November 29, 2021

Books I read (January - November 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

April
- Carpas para la Wehrmacht (Smrt krásnychsrncu), Ota Pavel
- El Accidente (Accidentul), Mihail Sebastian
- What Abigail Did That Summer, Ben Aaronovitch
- A Murder of Quality, John le Carré
- Mujer al Borde del Tiempo (Woman on the Edge of Time), Marge Piercy
- Una soledad demasiado ruidosa (Příliš hlučná samota), Bohumil Hrabal

May
- Sexo fora de norma. Literatura erótica feminista ("Normal y corriente", Joan López Rovira; "Follar normal", Alba Serrano Giménez; "Tardes", Bel Olid; "Muy temprano es el paraíso", Laura Sala Belda; "Los pies de Goliat", Francesc Xavier Ferrer Busquets; "Cita con su amante", Manelic; "Tinderear", Montserrat González Cardús; "Las pilas", Lluís Planellas Giné; "La ermita", Maria Izquierdo Burguès; "Letrófila: una fantasía textual", Òscar Arenas Larios; "Sand", Gala Rodríguez; "Hallar el norte", Gemma Nafria Riera; "Cómo amarte, Mar", Laura Tomàs Mora; Epílogo, Sílvia Catalán)
- The Looking Glass War, John le Carré
- Sostiene Pereira (3rd time), Antonio Tabucchi
- Written in Dead Wax, Andrew Cartmel

June
- The Warrior's Apprentice, Lois McMaster Bujold
- The Accidental Tourist, Anne Tyler
- ¡Universo!, Albert Monteys

July
- How To Control Your Anxiety Before It Controls You, Albert Ellis
- The Mountains of Mourning, Lois McMaster Bujold
- The Myths of Happiness, Sonja Lyubomirsky
- The Word for World is Forest, Ursula K. Le Guin

August
- How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life, Massimo Pigliucci
- The Gifts of Imperfection, Brené Brown

September
- The Vor Game, Lois McMaster Bujold
- El beso de la mujer araña, Manuel Puig
- Lo pasado no es un sueño (α περασμένα δεν είναι όνειρο), Theodor Kallifatides
- The Pleasure Principle: Epicureanism: A Philosophy for Modern Living, Catherine Wilson

October
- Berlin Book One: City of Stones, Jason Lutes
- Berlin Book Two: City of Smoke, Jason Lutes
- Berlin Book Three: City of Light, Jason Lutes
- ¿Qué hace un negro como tú en un sitio como este?, Moha Gerehou
- Sócrates, Joann Sfar, Christophe Blain

November
- Outline, Rache Cusk
- Cetaganda, Lois MacMaster Bujold

Wednesday, September 29, 2021

Books I read (January - September 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

April
- Carpas para la Wehrmacht (Smrt krásnychsrncu), Ota Pavel
- El Accidente (Accidentul), Mihail Sebastian
- What Abigail Did That Summer, Ben Aaronovitch
- A Murder of Quality, John le Carré
- Mujer al Borde del Tiempo (Woman on the Edge of Time), Marge Piercy
- Una soledad demasiado ruidosa (Příliš hlučná samota), Bohumil Hrabal

May
- Sexo fora de norma. Literatura erótica feminista ("Normal y corriente", Joan López Rovira; "Follar normal", Alba Serrano Giménez; "Tardes", Bel Olid; "Muy temprano es el paraíso", Laura Sala Belda; "Los pies de Goliat", Francesc Xavier Ferrer Busquets; "Cita con su amante", Manelic; "Tinderear", Montserrat González Cardús; "Las pilas", Lluís Planellas Giné; "La ermita", Maria Izquierdo Burguès; "Letrófila: una fantasía textual", Òscar Arenas Larios; "Sand", Gala Rodríguez; "Hallar el norte", Gemma Nafria Riera; "Cómo amarte, Mar", Laura Tomàs Mora; Epílogo, Sílvia Catalán)
- The Looking Glass War, John le Carré
- Sostiene Pereira (3rd time), Antonio Tabucchi
- Written in Dead Wax, Andrew Cartmel

June
- The Warrior's Apprentice, Lois McMaster Bujold
- The Accidental Tourist, Anne Tyler
- ¡Universo!, Albert Monteys

July
- How To Control Your Anxiety Before It Controls You, Albert Ellis
- The Mountains of Mourning, Lois McMaster Bujold
- The Myths of Happiness, Sonja Lyubomirsky
- The Word for World is Forest, Ursula K. Le Guin

August
- How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life, Massimo Pigliucci
- The Gifts of Imperfection, Brené Brown

September
- The Vor Game, Lois McMaster Bujold
- El beso de la mujer araña, Manuel Puig
- Lo pasado no es un sueño (α περασμένα δεν είναι όνειρο), Theodor Kallifatides
- The Pleasure Principle: Epicureanism: A Philosophy for Modern Living, Catherine Wilson

Saturday, July 24, 2021

Books I read (January - July 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

April
- Carpas para la Wehrmacht (Smrt krásnychsrncu), Ota Pavel
- El Accidente (Accidentul), Mihail Sebastian
- What Abigail Did That Summer, Ben Aaronovitch
- A Murder of Quality, John le Carré
- Mujer al Borde del Tiempo (Woman on the Edge of Time), Marge Piercy
- Una soledad demasiado ruidosa (Příliš hlučná samota), Bohumil Hrabal

May
- Sexo fora de norma. Literatura erótica feminista ("Normal y corriente", Joan López Rovira; "Follar normal", Alba Serrano Giménez; "Tardes", Bel Olid; "Muy temprano es el paraíso", Laura Sala Belda; "Los pies de Goliat", Francesc Xavier Ferrer Busquets; "Cita con su amante", Manelic; "Tinderear", Montserrat González Cardús; "Las pilas", Lluís Planellas Giné; "La ermita", Maria Izquierdo Burguès; "Letrófila: una fantasía textual", Òscar Arenas Larios; "Sand", Gala Rodríguez; "Hallar el norte", Gemma Nafria Riera; "Cómo amarte, Mar", Laura Tomàs Mora; Epílogo, Sílvia Catalán)
- The Looking Glass War, John le Carré
- Sostiene Pereira (3rd time), Antonio Tabucchi
- Written in Dead Wax, Andrew Cartmel

June
- The Warrior's Apprentice, Lois McMaster Bujold
- The Accidental Tourist, Anne Tyler
- ¡Universo!, Albert Monteys

July
- How To Control Your Anxiety Before It Controls You, Albert Ellis
- The Mountains of Mourning, Lois McMaster Bujold
- The Myths of Happiness, Sonja Lyubomirsky
- The Word for World is Forest, Ursula K. Le Guin

Tuesday, June 1, 2021

Books I read (January - May 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

April
- Carpas para la Wehrmacht (Smrt krásnychsrncu), Ota Pavel
- El Accidente (Accidentul), Mihail Sebastian
- What Abigail Did That Summer, Ben Aaronovitch
- A Murder of Quality, John le Carré
- Mujer al Borde del Tiempo (Woman on the Edge of Time), Marge Piercy
- Una soledad demasiado ruidosa (Příliš hlučná samota), Bohumil Hrabal

May
- Sexo fora de norma. Literatura erótica feminista ("Normal y corriente", Joan López Rovira; "Follar normal", Alba Serrano Giménez; "Tardes", Bel Olid; "Muy temprano es el paraíso", Laura Sala Belda; "Los pies de Goliat", Francesc Xavier Ferrer Busquets; "Cita con su amante", Manelic; "Tinderear", Montserrat González Cardús; "Las pilas", Lluís Planellas Giné; "La ermita", Maria Izquierdo Burguès; "Letrófila: una fantasía textual", Òscar Arenas Larios; "Sand", Gala Rodríguez; "Hallar el norte", Gemma Nafria Riera; "Cómo amarte, Mar", Laura Tomàs Mora; Epílogo, Sílvia Catalán)
- The Looking Glass War, John le Carré
- Sostiene Pereira (3rd time), Antonio Tabucchi
- Written in Dead Wax, Andrew Cartmel

Friday, April 30, 2021

Books I read (January - April 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

April
- Carpas para la Wehrmacht (Smrt krásnychsrncu), Ota Pavel
- El Accidente (Accidentul), Mihail Sebastian
- What Abigail Did That Summer, Ben Aaronovitch
- A Murder of Quality, John le Carré
- Mujer al Borde del Tiempo (Woman on the Edge of Time), Marge Piercy
- Una soledad demasiado ruidosa (Příliš hlučná samota), Bohumil Hrabal

Sunday, March 28, 2021

Books I read (January - March 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

March
- The Girls of Slender Means, Muriel Spark
- The Spy Who Came in from the Cold, John le Carré
- Miss Davis. La vida y luchas de Angela Davis (Miss Davis. La vie et les combats de Angela Davis), Sybille Titeux de la Croix, Amazing Ameziane
- Call for the Dead, John le Carré
- Dime una adivinanza (Tell Me A Riddle) Tillie Olsen. ("I Stand Here Ironing", "Hey Sailor, what Ship?", "O Yes" y "Tell me a Riddle")
- Madres e hijos (Μητέρες και γιοι), Theodor Kallifatides

Monday, March 1, 2021

Podcasts sobre caring tasks en The Big Branch Theory

Hace un tiempo me invitaron al podcast de The Big Branch Theory para hablar sobre la narrativa de trabajo de cuidados que hemos aplicado en los últimos años en algunos equipos de Lifull Connect.

Estos son los dos episodios en los que participé: Si la idea les resulta curiosa en el post The value of caring profundizo en esta narrativa y cuento cómo se originó y en qué contexto.

Friday, February 26, 2021

Books I read (January - February 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

February
- Mr. Vertigo, Paul Auster (2nd time)
- Mastering React Test-Driven Development, Daniel Irvine
- Refactoring Workbook, William C. Wake (2nd time)
- La canción de Salomón (Song of Solomon), Toni Morrison
- A Confederacy of Dunces, John Kennedy Toole
- Stardust, Neil Gaiman

Saturday, January 30, 2021

Notes on OCP from Agile Principles, Practices and Patterns book

Some time ago I wrote a post sharing my notes on SRP from Agile Principles, Practices and Patterns book because I was making an effort to get closer to the sources of some object-oriented concepts. I didn’t continue sharing my notes on SOLID because I thought they might not be interesting for our readers. However, seeing the success of the Single responsibility ¿Principle? episode of The Big Branch Theory Podcast for which I used my notes on SRP, I’ve decided to share the rest of my notes on SOLID on Codesai’s blog.

Ok, so these are the raw notes I took while reading the chapter devoted to Open-closed Principle in Robert C. Martin’s Agile Principles, Practices and Patterns in C# book (I added some personal annotations between brackets):

  • OCP -> “Software entities (classes, modules, functions, etc) should be open for extension but closed for modification”

  • “When a single change to a program results in a cascade of changes to dependent modules, the design smells of fragility” <- [No local consequences. See Beck’s Local Consequences principle from Implementation Patterns] “OCP advises us to refactor the system so that further changes of that kind will not cause more modifications. If OCP is applied well, further changes of that kind are achieved by adding new code, not by changing old code that already works”

  • “It’s possible to create abstractions that are fixed and yet represent an unbounded group of possible behaviors”

  • “[A module that uses such abstractions] can be closed for modification, since it depends on an abstraction that is fixed. Yet the behavior of the module can be extended by creating new derivatives of the abstraction”

  • “Abstract classes are more closely associated to their clients than to the classes that implement them” <- [related with Separated Interface from Fowler’s P of EAA]

  • ”[Strategy and Template Method patterns] are the most common ways to satisfy OCP. They represent a clear separation of generic functionality from the detailed implementation of that functionality”

  • Anticipation

    • “[When a] program conforms to OCP. It is changed by adding code rather than by changing existing code”

    • “In general no matter how “closed” a module is, there will always be some kind of change against which it is not closed”

    • “Since closure <- [“closure” here means protection against a given axis of variation or change, see Craig Larman’s Protected Variation: The Importance of Being Closed] can’t be complete, it must be strategic. That is the designer must choose the kinds of changes against which to close the design, must guess at the kinds of changes that are most likely, and then construct abstractions to protect against those changes.”

    • “This is not easy. It amounts to making educated guesses about the likely kinds of changes that the application will suffer over time.” “Also conforming to OCP is expensive. It takes development time and money to create the appropriate abstractions. These abstractions also increase the complexity of the software design”

    • “We want to limit the application of OCP to changes that are likely”

    • “How do we know which changes are likely? We do the appropriate research, we ask the appropriate questions, and we use our experience and common sense.” <- [also requires knowing about the domain. A bit easier to predict in technological boundaries. Listen to the conversation in Single Responsibility ¿Principle?] podcast] “And after all that, we wait until the changes happen!” <- [see Yagni] “We don’t want to load the design with lots of unnecessary abstractions. Rather we want to wait until we need the abstraction and then put them in”

  • “Fool me once”

    • “… we initially write our code expecting it not to change. When a change occurs, we implement the abstractions that protect us from future changes of that kind.” <- [One heuristic: we get to OCP through refactoring to avoid Speculative Generality. Most useful heuristic in unknown territory.]

    • “If we decide to take the first bullet, it is to our advantage to get the bullets flying early and frequently. We want to know what changes are likely before we are very far down the development path. The longer we wait to find out what kind of changes are likely, the more difficult it will be to create the appropriate abstractions.”

    • “Therefore, we need to stimulate changes”

      • “We write tests first” -> “testing is one kind of usage of the system. By writing tests first, we force the system to be testable. Therefore, changes in testability will not surprise us later. We will have built the abstractions that make the system testable. We are likely to find that many of these abstractions will protect us from other kinds of changes later.” <- [incrementally (tests “right after”) might also work]

      • “We use short development cycles”

      • “We develop features before infrastructure and frequently show those feature to stake-holders”

      • “We develop the most important features first”

      • “We release the software early and often”

  • “Closure is based on abstraction”

  • “Using a data-driven approach to achieve closure” <- [OCP is not only an OO principle, see Craig Larman’s Protected Variation: The Importance of Being Closed for more]

    • “If we must close the derivatives […] from knowledge of one another, we can use a table-driven approach”

    • “The only item that is not closed against [the rule that involves] the various derivatives is the table itself. An that table can be placed in its own module, separated from all the other modules, so that changes to it do not affect any of the other modules”

  • “In many ways the OCP is at the heart of OOD.”

  • “Yet conformance to [OCP] is not achieved by using an OOP language. Nor is it a good idea to apply rampant abstraction to every part of the application. Rather it requires a dedication on the part of the developers to apply abstraction only to those parts of the program that exhibit frequent change. <- [applying Beck’s Rate of Change principle from Implementation Patterns]”

  • “Resisting premature abstraction is as important as abstraction itself <- [related to Sandi Metz’s “duplication is far cheaper than the wrong abstraction”]”

For me getting closer to the sources of SOLID principles was a great experience that helped me to remove illusions of knowledge I had developed due to the telephone game effect caused by initially learning about SOLID through blog posts and talks. I hope these notes on OCP might be useful to you as well, and motivate you to read a bit closer to some of the sources.

This post was also published in Codesai's blog.There's also a previous version of this post in this blog.

Tuesday, January 26, 2021

Interesting Documentary film: "Bob Fosse documentary"

I've just watched this wonderful documentary film

Interesting Talk: "The Limits of Identity with Ayishat Akanbi"

I've just watched this interesting talk by Ayishat Akanbi

Interesting Talk: "How to Live Better and Age Well"

I've just watched this interesting talk by Daniel Levitin

Interesting Talk: "Dispelling Ageing Myths"

I've just watched this interesting talk by Daniel Levitin

Interesting Talk: "The Power of Vulnerability"

I've just watched this interesting talk by Brené Brown

Interesting Talk: "Interpersonal Effectiveness and Walking the Middle Path"

I've just watched this interesting talk by Kathryn MacDonald

Saturday, January 23, 2021

Books I read (January 2021)

January
- Zami: A New Spelling of My Name, Audre Lorde
- El viaje de Baldassare (Le Périple de Baldassare), Amin Maalouf
- We (Мы), Yevgeny Zamyatin
- Loxandra (λωξάντρα), Maria Iordanidou
- The Prime of Miss Jean Brodie, Muriel Spark

Solving the Beverages Prices Refactoring kata (2): limiting the options on the menu

Introduction.

This is the second and last post in a series of posts showing a possible solution to the Beverages Prices Refactoring kata that I recently developed with some people from Women Tech Makers Barcelona with whom I’m working through Codesai’s Practice Program twice a month.

In the previous post we introduced a design based on composition that fixed the Combinatorial Explosion code smell and produced a flexible solution applying the decorator design pattern. There was a potential problem in that solution because the client code, the code that needed to find out the price of the beverages, knew[1] too much about how to create and compose beverages and supplements.

Have a look, for instance, at the following line new WithCream(new WithMilk(new Coffee())). It knows about three classes and how they are being composed. In the case of this kata, that might not be a big problem, since the client code is only comprised of a few tests, but, in a larger code base, this problem might spread across numerous classes generating a code smell known as Creation Sprawl[2] In this post, we’ll try to reduce client knowledge of concrete component and decorator classes and their composition by encapsulating all the creational knowledge behind a nice, readable interface that we’ll keep all the complexity of combining the supplements (decorators) and beverages (components) hidden from the client code.

Another more subtle problem with this design based on composition has to do with something that we have lost: the fact that not all combinations of beverages and supplements were allowed on the menu. That knowledge was implicitly encoded in the initial inheritance hierarchy, and disappeared with it. In the current design we can dynamically create any combination of beverages and supplements, including those that were not included in the original menu, like, for instance a tea with cinnamon, milk and cream (doing new WithCinnamon(new WithCream(new WithMilk(new Tea())))) which you might find delicious :).We’ll also explore possible ways to recover that limitation of options.

We’ll start by examining some creational patterns that are usually applied along with the decorator design pattern.

Would the Factory pattern help?

In order to encapsulate the creational code and hide its details from client code, we might use the factory pattern described by Joshua Kerievsky in his Refactoring to Patterns. A factory is a class that implements one or more Creation Methods. A Creation Method is a static or non-static method the creates and returns an object instance[3].

We might apply the Encapsulate Classes with Factory refactoring[4] to introduce a factory class with an interface which provided a creation method for each entry on the menu, that is, it would have a method for making coffee, another one for making tea, another one for making coffee with milk, and so on, and so forth.

Before starting to refactor, let’s think a bit about the consequences of introducing this pattern to assess if it will leave us in a better design spot or not. At first sight, introducing the factory pattern seems to simplify client code and reduce the overall coupling because it encapsulates all the creational logic hiding the complexity related to composing decorators and components behind its interface which solves the first problem we discussed in the introduction. The second one, limiting the combinations of beverages and supplements to only the ones available on the menu, is solved just by limiting the methods in the interface of the factory.

However, it would also create a maintenance problem somehow similar to the initial combinatorial explosion code smell we were trying to avoid when we decided to introduce the decorator design pattern. As we said, the interface of the factory would have a method for each combination of beverages and supplements available on the menu. This means that to add a new supplement we’d have to multiply the number of Creation methods in the interface of the factory by two. So, we might say that, introducing the factory pattern, we’d get an interface suffering from a combinatorial explosion of methods[5].

Knowing that, we might conclude that a solution using the factory pattern would be interesting only when having a small number of options or if we didn’t expect the number of supplements to grow. As we said in the previous post, we think it likely that we’ll be required to add new supplements so we prefer a design that is easy to evolve along the axis of change of adding new supplements[6]. This means the factory pattern is not the way to go for us this time because it’s not flexible enough for our current needs. We’ll have to explore more flexible alternatives[7].

Let’s try using the Builder design pattern.

The builder design pattern is often used for constructing complex and/or composite objects[8]. Using it we might create a nice readable interface to compose the beverages and supplements bit by bit. Like the factory pattern, a builder would encapsulate the complexity of combining decorators from the client code. Unlike the factory pattern, a builder allows to construct the composite following a varying process. It’s this last characteristic that will avoid the combinatorial explosion of methods that made us discard the factory pattern.

In this case you can introduce the builder by applying the Encapsulate Composite with Builder. Let’s have a look at how we implemented it:

Notice how we keep the state of the partially composed object and apply the decorations incrementally until it’s returned by the make method. Notice also how the beverage is the initial state in the process of creating the composite object.

These are the tests after introducing the builder design pattern:

Notice the fluent interface that we decided for the builder. Although a fluent interface is not a requirement to write a builder, we think it reads nice.

As we said before, using a builder does not suffer from the combinatorial explosion of methods that the factory pattern did. The builder design pattern is more flexible than the factory pattern which makes it more suitable for composing components and decorators.

Still, our success is only partial because the builder can create any combination of beverages and supplements. A drawback of using a builder instead of a factory is usually that clients require to have more domain knowledge. In this case, the current solution forces the client code to hold a bit of domain knowledge: it knows which combinations of beverages and supplements are available on the menu.

We’ll fix this last problem in the next section.

A hybrid solution combining factory and builder patterns.

Let’s try to limit the possible combinations of beverages and supplements to the options on the menu by combining the creation methods of the factory pattern and the builder design pattern.

To do so, we added to BeverageMachine the creation methods, coffee, tea and hotChocolate, that create different builders for each type of beverage: CoffeeBuilder, TeaBuilderand HotChocolateBuilder, respectively. Each of the builders has only the public methods to select the supplements which are possible on the menu for a given type of beverage.

Notice that we chose to write the builders as inner classes of the BeverageMachine class. They could have been independent classes, but we prefer inner classes because the builders are only used by BeverageMachine and this way they don’t appear anywhere else.

This is the first design that solves the problem of limiting the possible combinations of beverages and supplements to only the options on the menu. It still encapsulates the creational logic and still reads well. In fact the tests haven’t changed at all because BeverageMachine’s public interface is exactly the same.

However, the new builders present duplication: the code related to supplements that can be used with different beverages and the code in the make method.

What is different for the clients that call the coffee method and the clients that call the tea or hotChocolate methods are the public methods they can use on each builder, that is, their interfaces. When we had only one builder, we had an interface with methods that were not interesting for some of its clients.

By having three builders we segregated the interfaces so that no client was forced to depend on methods it does not use[9]. However we didn’t need to introduce classes to segregate the interfaces, we could have just used, well, interfaces. As we’ll see in the next section using interfaces would have avoided the duplication in the implementation of the builders.

Segregating interfaces better by using interfaces.

As we said, instead of directly using three different builder classes, it’s better to use three interfaces, one for each kind of builder. That would also comply with the Interface Segregation Principle, but, using the interfaces helps us avoid having duplicated code in the implementation of the builders, because we can write only one builder class, Beverage Machine, that implements the three interfaces.

Notice how, in the creation methods, we feed the base beverage into BeverageMachine through its constructor, and how each of those creation methods return the appropriate interface. Notice also that BeverageMachine’s public interface remains the same, so this refactor won’t change the tests at all. You can check the resulting builder interfaces in Gist: TeaBuilder, HotChocolateBuilder and CoffeeBuilder.

Conclusions.

In this last post of the series dedicated to the Beverages Prices Refactoring kata, we’ve explored different ways to avoid creation sprawl, reduce coupling with client code and reduce implicit creational domain knowledge in client code. In doing so, we have learned about and applied several creational patterns (factory pattern, and builder design pattern), and some related refactorings. We have also used some design principles (such as coupling, open-closed principle or interface segregation principle), and code smells (such as combinatorial explosion or creation sprawl) to judge different solutions and guide our refactorings.

Aknowledgements.

I’d like to thank the WTM study group, and especially Inma Navas for solving this kata with me. Thanks also to my Codesai colleagues and to Inma Navas for reading the initial drafts and giving me feedback and to Amelia Hallsworth for the picture.

Notes.

[1] Knowledge here means coupling or connascence.

[2] Creation Sprawl is a code smell that happens when the knowledge for creating an object is spread out across numerous classes, so that creational responsibilities are placed in classes that should now be playing any role in object creation. This code smell was described by Joshua Kerievsky in his Refactoring to Patterns book.

[3] Don’t confuse the Factory Pattern with design patterns with similar names like Factory method pattern or Abstract factory pattern. These two design patterns are creational patterns described in the Design Patterns: Elements of Reusable Object-Oriented Software book.

A Factory Method is “a non-static method that returns a base class or an interface type and that is implemented in a hierarchy to enable polymorphic creation” whereas an Abstract Factory is “an interface for creating fqamiñlies of related or dependent objects without specifying their concrete classes”.

In the Factory Pattern a Factory is “any class that implements one or more Creation Methods” which are “static or non-static methods that create and return an object instance”. This definition is more general. Every Abstract Factory is a Factory (but not the other way around), and every Factory Method is a Creation Method (but not necessarily the reverse). Creation Method also includes what Martin Fowler called “factory method” in Refactoring (which is not the Factory Method design pattern) and Joshua Bloch called “static factory” (probably a less confusing name than Fowler’s one) in Effective Java.

[4] Presented in the fourth chapter of Refactoring to Patterns that is dedicated to Creational Patterns. [5] If you remember the previous post, before introducing the decorator design pattern, we suffered from a combinatorial explosion of classes (adding a new supplement meant multiplying the number of classes by two). Now, the factory interface (its public methods) would suffer a combinatorial explosion of methods.

[6] In other words: that it’s [protected against that type of variation (https://www.martinfowler.com/ieeeSoftware/protectedVariation.pdf).

[7] This is common when working with creational patterns. All of them encapsulate knowledge about which concrete classes are used and hide how instances of these classes are created and put together, but some are more flexible than others. It’s usual to start using a Factory pattern and evolve toward the other creational patterns as we realize more flexibility is needed.

[8] We have devoted several posts to builders: Remove data structures noise from your tests with builders, Refactoring tests using builder functions in Clojure/ClojureScript, In a small piece of code, The curious case of the negative builder.

[9] Following the Interface Segregation Principle that states that “no client should be forced to depend on methods it does not use”.

References.

Books

Articles